Transformation

 

Transformation is not just a theme—it is the method of Vivekas practice. Each project evolves across media and form, reflecting cycles of change, impermanence, and becoming. In these works, color, line, and performance embody the in-between: the spaces where identity is undone, remade, and lived anew.

The Gray Area

The Gray Area is a series of 30 minimalist works on paper that capture a relationship suspended in uncertainty—neither defined nor dissolved, but existing in blurred in-betweens. Through abstract dots and marks, each piece reflects fleeting moments of closeness and distance, presence and absence. Together, they form a visual map of intimacy in its most fragile state: a dialogue lived in shades of gray.

 

Seasons of becoming

Seasons of Becoming is a series of abstract landscapes that merge place, memory, and inner transformation. The works are rooted in the places the artist have lived over the past decade, but they are not literal depictions — they are emotional geographies. Thick, textured surfaces hold silence and weight, while vivid bursts of color mark joy, encounters, and fragments of survival. Each painting becomes both a map and a mirror: a cartography of memory where landmarks blur, yet intensity remains.

The cycle of seasons runs through the series — stillness, growth, release, and renewal — reflecting the shifting states of both nature and psyche. In their contrasts of emptiness and abundance, these landscapes embody the process of becoming: how identity evolves through time, place, and experience. Paired with poetry, the paintings form an atlas of inner and outer worlds, tracing how the self transforms while carrying every season within.

  • November

  • December

  • Last days of Winter

  • The Last November

  • Christmas Market

  • Favourite Spot

  • The Path next to the River

  • Once Upon

Naked Lines

Simplicity. A naked line. A naked Story.

This series gives more by showing less—capturing strength, sensuality, and presence with the smallest possible gesture. Each line becomes a frame for the viewer’s imagination: I draw the line, you tell the story.

>>Are you really naked even that your clothes are off?<<